Harf
Script shown with the Urdu

کچھ کچھ ہوتا ہے Kuch Kuch Hota Hai — Something Happens

Sameer

1958– living

Geet

Two people have just met, and something is happening to both of them that neither can name. You came close, you smiled like that, you showed me dreams I cannot account for, and now my heart neither sleeps nor wakes. The song is the report of the happening, and the happening is the title: kuch kuch hota hai, something, something happens.

Sameer wrote it for Kuch Kuch Hota Hai in 1998, and Alka Yagnik and Udit Narayan sang it over Jatin-Lalit's music. Four passages ahead, and every one of them is the same discovery made at a different angle: the happening has no cause, no cure, and no name, and the song keeps the unnameable in the present tense.

01  — tum paas aaye, yun muskuraaye

تم پاس آئے، یوں مسکرائے
تم نے نہ جانے کیا سپنے دکھائے
اب تو میرا دل جاگے نہ سوتا ہے
کیا کروں ہائے، کچھ کچھ ہوتا ہے

तुम पास आए, यूँ मुस्कुराए
तुमने ना जाने क्या सपने दिखाए
अब तो मेरा दिल जागे ना सोता है
क्या करूँ हाए, कुछ कुछ होता है

tum paas aaye, yun muskuraaye
tumne na jaane kya sapne dikhaaye
ab toh mera dil jaage na sota hai
kya karoon haaye, kuchh kuchh hota hai

You came close, you smiled like that, you showed me who knows what dreams. Now my heart neither wakes nor sleeps. What do I do, oh, something, something happens.

The passage is the happening's first report, and the report is all effect. The beloved's approach and smile are granted, and the dreams are left unspecified, na jaane kya, who knows what. The heart's condition is the passage's prize, jaage na sota hai, neither waking nor sleeping, and the question, kya karoon haaye, is the whole song's posture. The refrain, kuch kuch hota hai, refuses to name the happening, and the refusal is the song.

02  — na jaane kaisa ehsaas hai

نا جانے کیسا احساس ہے
بجھتی نہیں ہے کیا پیاس ہے
کیا نشہ اس پیار کا
مجھ پہ صنم چھانے لگا

ना जाने कैसा एहसास है
बुझती नहीं है क्या प्यास है
क्या नशा इस प्यार का
मुझ पे सनम छाने लगा

na jaane kaisa ehsaas hai
bujhti nahin hai kya pyaas hai
kya nasha is pyaar ka
mujh pe sanam chhaane laga

Who knows what feeling this is. What thirst is this that will not be put out? What intoxication of this love has begun to spread over me, my beloved?

The passage is the search for the name, and the search fails twice. Ehsaas, the feeling, is left nameless, and the thirst is described only by its behaviour, bujhti nahin, it will not be quenched. The passage's word is nasha, the intoxication, and the verb is the important one, chhaane laga, it began to spread, like a stain or a shadow. The intoxication is given the grammar of weather, and the beloved is addressed for the first time, sanam, as the weather's source.

احساس ehsaas
a feeling, an awareness of something
نشہ nasha
intoxication

03  — kya rang laayi meri duaa

کیا رنگ لائی میری دعا
یہ عشق جانے کیسے ہوا
بے چینیوں میں چین
نا جانے کیوں آنے لگا

क्या रंग लाई मेरी दुआ
ये इश्क़ जाने कैसे हुआ
बेचैनियों में चैन
ना जाने क्यों आने लगा

kya rang laayi meri duaa
ye ishq jaane kaise hua
bechainiyon mein chain
na jaane kyun aane laga

What colour did my prayer bring! This love, who knows how it happened. In the middle of the restlessness, a rest has begun to come, who knows why.

The passage is the happening's second report, and it is the woman's. Kya rang laayi meri duaa, what colour did my prayer bring, is the passage's wonder, the prayer answered in an unexpected currency. The love is granted its mystery, jaane kaise hua, who knows how it happened, and the passage's paradox is its last line: bechainiyon mein chain, in the restlessness, a rest. The two states that cancelled each other in the first passage have learned to coexist, which is the song's definition of the happening.

دعا duaa
a prayer
بےچینی bechaini
restlessness

04  — tanhaai mein dil yaadon ko sanjota hai

تنہائی میں دل یادوں کو سنجوتا ہے
کیا کروں ہائے، کچھ کچھ ہوتا ہے

तनहाई में दिल यादों को संजोता है
क्या करूँ हाए, कुछ कुछ होता है

tanhaai mein dil yaadon ko sanjota hai
kya karoon haaye, kuchh kuchh hota hai

In solitude, the heart hoards the memories. What do I do, oh, something, something happens.

The closing passage is the song's smallest verse and its truest. Tanhaai mein, in the solitude, the heart sanjota hai, hoards, the memories: the verb is the one used for saving coins or drying flowers, and the heart is the keeper of the happening's evidence. The refrain returns without a single new word, kya karoon haaye, kuch kuch hota hai, and the repetition is the conclusion: the happening is still happening, and the question is still the only response.

تنہائی tanhaai
solitude
سنجونا sanjona
to hoard something up, to keep it carefully

Reading it whole

The song is the most famous description of first love in the language, and its genius is the refusal to describe. Kuch kuch hota hai: something, something happens. The double kuch is the song's whole method, a name that names nothing and therefore names everything, and the song spends its four passages circling the happening without ever catching it.

The first passage is the report from the body. The beloved came close and smiled, and showed dreams, and the heart's state is the song's diagnosis: jaage na sota hai, it neither wakes nor sleeps. The two states of the heart are cancelled, and the question, kya karoon haaye, what do I do, is the only response the body has.

The middle passages are the search for the name. The feeling has no name, na jaane kaisa ehsaas, and the thirst it brings cannot be put out, bujhti nahin. The passage turns on the word nasha, the intoxication of this love, and the complaint is that it keeps spreading, chhaane laga. The second half of the song lets the woman take the report: the prayer brought a colour, the love happened without anyone knowing how, and the restlessness has found its rest, which is the contradiction the song has been carrying all along.

The last passage is the song's conclusion, and it is the same conclusion as the first: in the solitude, the heart hoards memories, kuch kuch hota hai. Alka Yagnik and Udit Narayan's voices, with the film's two timelines, made the song the decade's defining love song, and the phrase kuch kuch hota hai became the language's standard way of saying the thing that has no name.

Recordings

Read next

All 128 poems, A to Z

Text and rights

Devanagari text supplied and checked by a reader who knows the language. The Urdu script and the transliteration follow that reading.

The song is the title track of the film Kuch Kuch Hota Hai (1998), composed by Jatin-Lalit, lyrics Sameer. The refrain returns between passages in the recording more often than it is printed here.

Sameer is alive and the song is recent work. It is quoted here as the subject of Harf's own criticism: the translation, the reading of each passage and the essay around them are original work written for this page. If you hold the rights and would like something changed, tell us on Instagram.